Our beloved TCM film festival starts tomorrow but I thought that I would give you a heads’ up on a few points of interest!
One question that is asked every year is: How many of these films are being shown ON FILM?
To a film archivist and preservationist such as myself, this is a critical question and very important thing to ask. While it is absolutely true that each time a print is shown we lose a generation and the ability to locate prints of many films is not a piece of cake (if it was, you wouldn’t need archivists! TOTAL SHAMELESS PLUG FOR MY PROFESSION), there are so many beautiful prints out there and one of the things that I love the most about TCMFF is how much film, ACTUAL FILM, they project every year.
I really believe that the fabulous programmers and hardworking folks at TCM really make it a point to put as much 35mm and 70mm into the festival as possible and this year is no exception. In fact, if anything, this year is even more exceptioNAL in that sense. There is one session that discusses the birth of Technicolor (something all classic film fans are familiar with but not too many know enough about) and one session where films will be HAND-CRANKED, the way films used ta be, back in the beginning!
And yes- the theme this year is his/her-story according to Hollywood. But they didn’t *have to* include these panels/screenings as part of the festival. Film history didn’t have to be there. There are certainly enough historically-based classic films to have 3 TCM Film Festivals. Trust me, as someone who has programmed before, I can tell you THAT. And anyone who has any familiarity with classic cinema would rightly agree.
In my role as TCM social producer this year, I want to celebrate what they do for film preservation and restoration. By continuing to show 35mm and 70mm prints for features, by showcasing 16mm, 8mm and other small-gauge in the “Home Movies Panel” with Lynne Kirste and Randy Haberkamp, TCMFF supports the fact that this is a format that is worth seeing and loving. In fact, some of the films shown (Too Late for Tears for example) may be projected on brand-new prints! You never know!
In this post, I am going to let you know what films are going to be showing this year at the TCM Film Festival on film. Feel free to tweet at me (@sinaphile) or comment if I have left any titles out. I think this should be pretty full. I feel that, in favor of projectionists everywhere, as audience-folk, always be appreciative of those awesome ladies & gentlemen in the booth. They’re working hard for ya and caring for those reels. Many of these prints come with VERY strict guidelines on how they are to be handled so that they remain in as good of condition as they are and will remain playable for years to come and the folks who are playing them are gonna do their best to make sure that they get shown beautifully. And entirely for our pleasure. HOW SPOILED ARE WE???
So let’s get on with the show!! Also- please note- I would say…screening location is subject to change. So these are based on the schedule as it is today, 3/25/2015. Please rely on the TCMFF schedule routing information as it is given to you and as you are directed by the lovely TCM humans. And be nice to them. They are awesome. And work super hard to make this run smoothly!
DAWN OF TECHNICOLOR panel/screening – 9:00 am, The Egyptian Theater
Hollywood Home Movies – 6:00 – Club TCM at The Hollywood Roosevelt
>>Highly recommend attending this due to the exciting “behind the scenes” coolness factor! Various formats, various movie folks, various amazing things to see! If you can “Home Movie” it, do it!
RETURN OF THE DREAM MACHINE: HAND CRANKED PROJECTOR SHOW (1902-1913) – hand cranked films from the early part of film history!!! You are cheating yourself if you miss out on this one!! Click on the link above for more information. – (d. various, 105m, 35mm) – 9:30 PM, Chinese Multiplex House 6
I hope that this list helps all of you who are looking for the “what’s on film” films. As someone who loves handling film and adores film as a format and a way to watch stories being told, I am beyond excited to see so many wonderful narratives being projected this year.
It is absolutely and unquestionably a part of the history of Hollywood therefore it is only right that it should be such a beautiful and magnificent presence at the TCM Film Festival, 2015, as it has been each year.
Please stay tuned for another post that will celebrate the fantastic digital restorations being screened and discuss the importance that they have to our cinematic culture and to the TCM Film Festival as well.